{"id":18859,"date":"2020-04-21T15:40:32","date_gmt":"2020-04-21T20:40:32","guid":{"rendered":"http:\/\/137.184.87.148\/?p=18859"},"modified":"2020-10-08T18:01:24","modified_gmt":"2020-10-08T23:01:24","slug":"ambulante-en-casa-ambulantito","status":"publish","type":"post","link":"http:\/\/137.184.87.148\/en\/2020\/04\/ambulante-en-casa-ambulantito\/","title":{"rendered":"Ambulante en Casa: Ambulantito"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in Spanish For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p><p>La secci\u00f3n dedicada a los ni\u00f1os se conforma por un largometraje:<\/p>\n<ul>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/anina\/\"><strong><em>Anina<\/em><\/strong><\/a> | Alfredo Soderguit | Uruguay, Colombia | 2013<\/li>\n<li><em><strong><a href=\"http:\/\/137.184.87.148\/documentales\/tesoros\/\">Tesoros<\/a><\/strong><\/em> | Mar\u00eda Novaro | M\u00e9xico | 2017<\/li>\n<\/ul>\n<p>Y una serie de cortometrajes, los cuales presentan un <strong>espectro amplio de pel\u00edculas, privilegiando formatos diversos sin seguir una temporalidad definida<\/strong>. Con ello, Ambulante busca sensibilizar al p\u00fablico m\u00e1s joven sobre las distintas miradas, estilos y formas de hacer cine.<\/p>\n<ul>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/el-mapache-y-la-luz\/\"><strong><em>El mapache y la luz<\/em><\/strong> |<strong> <em>Raccoon and the Light<\/em><\/strong><\/a> | Hanna Kim | Estados Unidos | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/pescador-pescado\/\"><strong><em>Pescador pescado<\/em><\/strong> | <strong><em>Anglerfish<\/em><\/strong> <\/a>| Julia Ocker | Alemania | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/pequena-chispa\/\"><strong><em>Peque\u00f1a chispa<\/em><\/strong> | <strong><em>Petite Etincelle<\/em><\/strong><\/a> | Nicolas Bianco-Levrin, Julie Rembauville | Francia | 2019<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/pajalores\/\"><strong><em>Pajalores<\/em><\/strong> | <strong><em>Coucouleurs <\/em><\/strong><\/a>| Oana Lacroix | Suiza | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/17054\/\"><strong><em>Con br\u00edo<\/em><\/strong><\/a> | Sandra Eber | Canad\u00e1 | 2012<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/isla\/\"><strong><em>I<\/em><\/strong><strong><em>sla <\/em><\/strong>| <strong><em>Island <\/em><\/strong><\/a>| Max M\u00f6rtl, Robert L\u00f6bel | Alemania | 2017<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/en-todos-lados-al-mismo-tiempo\/\"><strong><em>En todos lados al mismo tiempo<\/em><\/strong> | <strong><em>Everywhere at Once<\/em><\/strong><\/a> | Alan Berliner | Estados Unidos | 1985<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/poder\/\"><strong><em>Poder<\/em><\/strong> | <strong><em>Power <\/em><\/strong><\/a>| Dana Sink | Estados Unidos | 2017<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/el-tigre-sin-rayas\/\"><strong><em>El tigre sin rayas <\/em><\/strong>| <strong><em>Le tigre sans rayures<\/em><\/strong><\/a> | Ra\u00fal \u201cRobin\u201d Morales | Francia, Suiza | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/link\/\"><strong><em>Uni\u00f3n<\/em><\/strong> | <strong><em>Link<\/em><\/strong> <\/a>| Robert L\u00f6bel | Alemania | 2017<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/mi-abuelita\/\"><strong><em>Mi abuelita<\/em><\/strong><\/a> | Giselle P\u00e9rez | Guatemala, Canad\u00e1 | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/volteados\/\"><strong><em>Volteados<\/em><\/strong> | <strong><em>Flipped <\/em><\/strong><\/a>| Hend Esmat, Lamiaa Diab | Reino Unido | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/habia-una-vez-una-casa\/\"><strong><em>Hab\u00eda una vez una casa<\/em><\/strong> | <strong><em>Once There was a House<\/em><\/strong> <\/a>| Svetlana Andrianova | Rusia | 2017<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/zea\/\"><strong><em>Zea<\/em><\/strong><\/a> | Andr\u00e9 Leduc, Jean-Jacques Leduc | Canad\u00e1 | 1981<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/spelliasmous\/\"><strong><em>Spelliasmous<\/em><\/strong><\/a> | Ben Garfield | Cuba, Reino Unido | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/el-papalote\/\"><strong><em>El papalote<\/em><\/strong> | <strong><em>The Kite <\/em><\/strong><\/a>| Martin Smatana |Rep\u00fablica Checa, Eslovaquia, Polonia | 2019<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/el-boleto-de-la-suerte\/\"><strong><em>El boleto de la suerte<\/em><\/strong> | <strong><em>The Lucky Ticket <\/em><\/strong><\/a>| Svetlana Andrianova | Rusia | 2019<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/el-senor-noche-se-toma-un-dia-libre\/\"><strong><em>El se\u00f1or Noche se toma un d\u00eda libre<\/em><\/strong> | <strong><em> Night Has A Day Off<\/em><\/strong><\/a> | Ignas Meil\u016bnas | Lituania | 2016<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/jesus-de-mexico\/\"><strong><em>Jes\u00fas de M\u00e9xico <\/em><\/strong><\/a>| Lina Lu\u017eyt\u0117 | Alemania | 2018<\/li>\n<li><a href=\"http:\/\/137.184.87.148\/documentales\/hogar-dulce-hogar\/\"><strong><em>Hogar dulce hogar <\/em><\/strong>| <strong><em>Le refuge de l\u2019\u00e9cureuil<\/em><\/strong><\/a> | Cha\u00eftane Conversat | Francia, Suiza | 2018<\/li>\n<\/ul>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Spanish For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.La secci\u00f3n dedicada a los ni\u00f1os se conforma por un largometraje: Anina | Alfredo Soderguit | Uruguay, Colombia | 2013 Tesoros | Mar\u00eda [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":16921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[335],"tags":[],"iniciativas":[],"temas":[813,369,90,368],"acf":[],"_links":{"self":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/posts\/18859"}],"collection":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/comments?post=18859"}],"version-history":[{"count":11,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/posts\/18859\/revisions"}],"predecessor-version":[{"id":20668,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/posts\/18859\/revisions\/20668"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/media\/16921"}],"wp:attachment":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/media?parent=18859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/categories?post=18859"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/tags?post=18859"},{"taxonomy":"iniciativas","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/iniciativas?post=18859"},{"taxonomy":"temas","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/temas?post=18859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}