{"id":6556,"date":"2018-02-08T14:33:26","date_gmt":"2018-02-08T20:33:26","guid":{"rendered":"http:\/\/137.184.87.148\/?post_type=documentales&#038;p=6556"},"modified":"2018-03-15T16:51:29","modified_gmt":"2018-03-15T22:51:29","slug":"para-concertino","status":"publish","type":"documentales","link":"http:\/\/137.184.87.148\/en\/documentales\/para-concertino\/","title":{"rendered":"For Concertino"},"content":{"rendered":"<p><\/p>\n<h3>SINOPSIS<\/h3>\n<p>A pseudo-bucolic portrait of Sara, the filmmaker&#8217;s mother, shot in black-and-white and conceived to be screened during the interpretation of a multitudinous choreographic piece by Catherine Diverr\u00e8s.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>BIOGRAPHY<\/strong><\/h3>\n<p><strong>Teo Hern\u00e1ndez<\/strong> was a Mexican experimental filmmaker who filmed mainly in a Super 8 format. In 1958, he created, together with Antonio Campomanes, the Center for Cinematographic Experimentation (CEC) in Mexico. From 1966 onwards, he lived and worked in Paris, where he created M\u00e9troBarb\u00e8sRochechou Art (1980), an experimental film collective, along with Gabriel Badaud aka Ga\u00ebl, Michel N\u00e9djar and Jacques Haubois aka Jakobois. In his exploration of the relation between image, movement and body, he maintained a close collaboration with Studio dm (1983), a dance company founded in Paris by Bernardo Montet and Catherine Diverr\u00e8s, who shaped a choreographic praxis strongly tied to literature and butoh. In France, his works have been linked to Cin\u00e9ma Corporal or The School of the Body, an artistic research movement surrounding gender and body identity. After his death, his work was bequeathed to Michel N\u00e9djar who has kept it safeguarded at the Mus\u00e9e National d&#8217;Art Moderne at the Pompidou Center in Paris ever since.<\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><strong>Editing:<\/strong> Teo Hern\u00e1ndez<\/span><br \/>\n<span style=\"font-weight: 400;\"><strong>Choreography:<\/strong> Catherine Diverr\u00e8s<\/span><br \/>\n<span style=\"font-weight: 400;\">Film made for the piece Concertino<\/span><br \/>\n<span style=\"font-weight: 400;\"><strong>With<\/strong> Sara Jim\u00e9nez, Vita Boeno<\/span><br \/>\n<span style=\"font-weight: 400;\">Super 8 film, B&amp;N, silent\u00a0<\/span><br \/>\n<span style=\"font-weight: 400;\">Donated by M. Michel N\u00e9djar in 2000<\/span><br \/>\n<span style=\"font-weight: 400;\"><strong>Inventory Number:<\/strong> AM 2000-F87<\/span><br \/>\n<span style=\"font-weight: 400;\"><strong>Collection:<\/strong> Centre Pompidou, Paris. Mus\u00e9e National d\u2019Art Moderne\/Centre de cr\u00e9ation\u00a0<\/span><span style=\"font-weight: 400;\">Industrielle<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[[proyecciones]]<\/p>\n<p>[[documentales]]<\/p>","protected":false},"excerpt":{"rendered":"<p>SINOPSIS A pseudo-bucolic portrait of Sara, the filmmaker&#8217;s mother, shot in black-and-white and conceived to be screened during the interpretation of a multitudinous choreographic piece by Catherine Diverr\u00e8s. &nbsp; BIOGRAPHY Teo Hern\u00e1ndez was a Mexican experimental filmmaker who filmed mainly in a Super 8 format. In 1958, he created, together with Antonio Campomanes, the Center [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","categories":[73],"tags":[],"sedes":[],"iniciativas":[74],"temas":[363,227,364,104,136,78],"acf":[],"post_meta":{"_edit_lock":["1647744347:30"],"_edit_last":["15"],"_yoast_wpseo_content_score":["30"],"event_subtitle":[""],"first_date":[null],"sin_fecha":["0"],"_amb_vimeo_url":[""],"_amb_titulo_original":["Pour Concertino "],"_amb_director":["Teo Hern\u00e1ndez"],"_amb_anio":["1990"],"_amb_genero":[""],"_amb_pais":[""],"_amb_idioma":["Sin di\u00e1logo"],"_amb_duracion":["3,45"],"_amb_fotografia":["Teo Hern\u00e1ndez"],"_amb_guion":[""],"_amb_edicion":[""],"_amb_sonido":[""],"_amb_musica":[""],"_amb_animacion":[""],"_amb_diseno_sonoro":[""],"_amb_produccion":["Studio dm"],"_amb_produccion_ejecutiva":[""],"_amb_compania_productora":[""],"_amb_festivales_premios":[""],"_amb_contacto":[""],"_amb_contacto_mail":[""],"_amb_enlaces_externos":[""],"_yoast_wpseo_primary_category":["73"],"_yoast_wpseo_primary_secciones":["11"],"_yoast_wpseo_primary_sedes":[""],"_yoast_wpseo_primary_iniciativas":["74"],"_yoast_wpseo_primary_temas":["97"],"_yoast_wpseo_primary_festivales":["314"],"_yoast_wpseo_primary_ciudades":[""],"_yoast_wpseo_primary_guia-documentales":[""]},"eventos":[],"_links":{"self":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/documentales\/6556"}],"collection":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/documentales"}],"about":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/types\/documentales"}],"version-history":[{"count":1,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/documentales\/6556\/revisions"}],"predecessor-version":[{"id":24761,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/documentales\/6556\/revisions\/24761"}],"wp:attachment":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/media?parent=6556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/categories?post=6556"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/tags?post=6556"},{"taxonomy":"sedes","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/sedes?post=6556"},{"taxonomy":"iniciativas","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/iniciativas?post=6556"},{"taxonomy":"temas","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/temas?post=6556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}