<\/p>\n
Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day chronicle that outlines a recurring obsession for registering even the most ordinary things, where the least poetic aspects of life, that is to say, the most somber ones, become the eye\u2019s filter.<\/p>\n
<\/p>\n
Teo Hern\u00e1ndez<\/strong> was a Mexican experimental filmmaker who filmed mainly in a Super 8 format. In 1958, he created, together with Antonio Campomanes, the Center for Cinematographic Experimentation (CEC) in Mexico. From 1966 onwards, he lived and worked in Paris, where he created M\u00e9troBarb\u00e8sRochechou Art (1980), an experimental film collective, along with Gabriel Badaud aka Ga\u00ebl, Michel N\u00e9djar and Jacques Haubois aka Jakobois. In his exploration of the relation between image, movement and body, he maintained a close collaboration with Studio dm (1983), a dance company founded in Paris by Bernardo Montet and Catherine Diverr\u00e8s, who shaped a choreographic praxis strongly tied to literature and butoh. In France, his works have been linked to Cin\u00e9ma Corporal or The School of the Body, an artistic research movement surrounding gender and body identity. After his death, his work was bequeathed to Michel N\u00e9djar who has kept it safeguarded at the Mus\u00e9e National d’Art Moderne at the Pompidou Center in Paris ever since.<\/p>\n <\/p>\n Written and read by<\/strong>\u00a0Teo Hern\u00e1ndez <\/p>\n [[proyecciones]]<\/p>\n [[documentales]]<\/p>","protected":false},"excerpt":{"rendered":" *Photograph by Andrea Ancira, Research document from the Fond Teo Hern\u00e1ndez, safeguarded at the Biblioth\u00e8que Kandinsky, and presented in the public program “La langue de Teo” at\u00a0Villa Vassilieff, from February to April, 2016. SYNOPSIS Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective […]<\/p>\n","protected":false},"featured_media":0,"template":"","categories":[73],"tags":[],"sedes":[],"iniciativas":[74],"temas":[363,364,104,136,78],"acf":[],"post_meta":{"_edit_lock":["1521651809:15"],"_edit_last":["15"],"_yoast_wpseo_content_score":["30"],"event_subtitle":[""],"first_date":[null],"sin_fecha":["0"],"_amb_vimeo_url":[""],"_amb_titulo_original":["Tranches film en trois parties \u201cd\u00e9tachables\u201d : Pigeon, matador, temp\u00eate \/ R\u00e9seau de raisins sur ruisseau sans raison \/ Fondu de cirrus sur cithare"],"_amb_director":["Teo Hern\u00e1ndez "],"_amb_anio":["1985-1987"],"_amb_genero":[""],"_amb_pais":[""],"_amb_idioma":[""],"_amb_duracion":["24, 09"],"_amb_fotografia":["Teo Hern\u00e1ndez"],"_amb_guion":[""],"_amb_edicion":[""],"_amb_sonido":["Teo Hern\u00e1ndez"],"_amb_musica":[""],"_amb_animacion":[""],"_amb_diseno_sonoro":[""],"_amb_produccion":["Teo Hern\u00e1ndez"],"_amb_produccion_ejecutiva":[""],"_amb_compania_productora":[""],"_amb_festivales_premios":[""],"_amb_contacto":[""],"_amb_contacto_mail":[""],"_amb_enlaces_externos":[""],"_yoast_wpseo_primary_category":["73"],"_yoast_wpseo_primary_secciones":["11"],"_yoast_wpseo_primary_sedes":[""],"_yoast_wpseo_primary_iniciativas":["74"],"_yoast_wpseo_primary_temas":["104"],"_yoast_wpseo_primary_festivales":["314"],"_yoast_wpseo_primary_guia-documentales":["384"],"_wp_old_date":["2018-02-08"],"_yoast_wpseo_primary_ciudades":[""]},"eventos":[],"_links":{"self":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/documentales\/6547"}],"collection":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/documentales"}],"about":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/types\/documentales"}],"version-history":[{"count":0,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/documentales\/6547\/revisions"}],"wp:attachment":[{"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/media?parent=6547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/categories?post=6547"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/tags?post=6547"},{"taxonomy":"sedes","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/sedes?post=6547"},{"taxonomy":"iniciativas","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/iniciativas?post=6547"},{"taxonomy":"temas","embeddable":true,"href":"http:\/\/137.184.87.148\/en\/wp-json\/wp\/v2\/temas?post=6547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWith<\/strong> Michel N\u00e9djar, Jakobois, Pascal Martin, Jos\u00e9-Maria Alfonso, Ga\u00ebl Badaud<\/span>
\nEditing:<\/strong> Teo Hern\u00e1ndez
\nSuper 8 Film, color, w\/sound
\nDonated by M. Michel N\u00e9djar in 2000
\nInventory Number:<\/strong> AM 2000-F41<\/span>
\nCollection:<\/strong> Centre Pompidou, Paris. Mus\u00e9e National d\u2019Art Moderne\/Centre de cr\u00e9ation
\nIndustrielle<\/p>\n